Work from the Dollhouse series is initiated with the development of architectural structures that act as an extension of emotional experience rather than of physical needs. These structures contain a variety of tableaus portraying a queer esoteric purgatory. These tableaus consist of a blending of formalist abstraction, rendering of figurative paintings, miniature landscape terrains, and a variety of sculpted figures and objects creating dream-like scenes exploring themes such as alienness, imprisonment, absurdity, and longing. This work is conceptually informed by my experience as a person with post-traumatic stress disorder. My symptoms lead me to feel imprisoned within the confines of my mind, bombarded with racing thoughts and constant fatigue. A life inside, insular and confined, that has only been amplified by the endless self-quarantine of Covid-19, aroused an interest in creating cinematic inspired interior scenes dripping in campy artifice.